It's hard to think of a 5,000 pound car nearly 18 feet long as an exercise in minimalism, but this one is, and in a couple of different ways. When introduced in the autumn of 1960, Elwood Engel's design for the Continental was a startling departure from the finned, over-chromed excesses of 50s Detroit, perfectly complimenting the spare, elegant steel and glass buildings from that era's International Style architects. It was like a Bill Evans piano solo rendered in metal, with decorative flourishes pared away so you could sense the structure beneath the lines. And just in case one feels guilty about wanting something so vast by today's standards, it may be helpful to recall that this new downsized Continental was based on the Thunderbird's unitized body shell. As a result, when future Secretary of Defense Robert McNamara approved the idea of turning an early prototype for the '61 T-Bird into a Lincoln, the new car came out nearly 15 inches shorter than the previous year's Continental. This relative compactness, along with the taut lines, distinguished it from contemporary Cadillacs and Imperials as well. And the top of the line was the only line: all Lincolns were Continentals, offering customers a choice of a sedan with center pillar or the rarer convertible, both models with 4 doors opening at the centerline of the car ("suicide doors"). The 4 door convertible was unique among American production cars, and the warranty on the new Continental was twice that of its competitors. The Fifties were over…
Photo credits: Ford Motor Company top, Motor Trend center, Automobile Magazine btm.
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