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Tuesday, June 30, 2026

Sunday Morning Dog Show Offers a Quick History of British Cars


Boulder's June 28 Coffee and Classics provided some surprises, including this 1931 Bentley, which stalwarts of the marque would consider a "real Bentley", designed by engineer William O. Bentley and built by his firm before its bankruptcy and takeover by Rolls-Royce after the summer of that same year.
One reason Bentley fans were so loyal was the Bentleys proved themselves in road racing, winning the 24 Hours of Le Mans in 1924, '27, '29 and '30.  The cars were big and burly, leading Ettore Bugatti to compare these British competitors to trucks...
But there was some innovative engineering behind those tall radiators, and a crowd gathered when the owner opened the bonnet...
This turned out to be one of four 4.5 liter four-cylinder Bentleys modified to receive the 8.0 liter inline six. Like the fours, the Bentley sixes featured a single overhead cam, with 4 valves and twin spark plugs per cylinder.  Ironically, the 4.5 liter four originally in this car had been developed from the 6.5 liter six.
This 1938 SS Jaguar 1.5 liter got plenty of attention for its immaculate condition and traditional styling. 
It was also a reminder that Jaguars were not always notable for power. This one was powered by a 1.5 liter Standard engine from the company that bought Triumph after World War 2.
The famous XK engine was hatched during an air raid over the Coventry Jaguar factory, when founder William Lyons, on the rooftop with engineers William Heynes and Walter Hassan, brainstormed engine concepts with his team.  After the war, the "SS" letters on Jaguar badges were deleted. They had originally stood for Swallow Sidecar (the company started making sidecars for motorcycles), but after the war those initials had unpleasant associations.
This race-modified MG TC was designed in the same period as the '38 Jag, appearing pre-war as the TB.  Though the TC was the first MG to be imported in noticeable numbers Stateside, all TCs were right-hand drive.
Because the organizers weren't able to get cars parked in chronological order, we'll take a break like this napping pup, to consider the lines of Jaguar's XK150 (1957-'61), the third roadster from the Coventry firm with the twin-cam XK inline six. 
There were coupes, too, like this XK150.  Jaguar pioneered 4-wheel disc brakes on their race cars in 1953, and on production cars in 1957 with the XK150.
Jaguar followed the XK150 in April of 1961 with the E-Type, known in the US as the XKE.  Thin-shell bucket seats are a sign that this is an early Series 1, originally supplied with 3.8 liter engine and non-synchro first gear on the 4 speed gearbox.  
The alloy center instrument panel shown below changed to vinyl when the 4.2 liter engine came along for the 1965 model year...
The Series 3 E-Type came along a decade after the original, in April 1971, with a new 5.3 liter V12, but the same inboard disc brakes and independent rear suspension as the Series 1 and 2, so sturdy they were used by hot rodders.  A photo of that rear end assembly is under that silver Jag, parked next to an MG TD (1949-'53) and a Triumph TR4-A (1965-'68).
Out of chronological order but not out of style, we find an Austin-Healey 100M, first seen as an eye-catching prototype Healey Hundred at the '52 Earls Court show, and adopted for production from specialist maker Healey by BMC starting in 1953.  Body design by Gerry Coker still gets attention.  Engine was a 2.6 liter inline four...
Replaced by a 2.6 liter inline 6 in the 100-6, and a 3 liter version in the blue and green examples below.  By the end of the 3000 line in 1967, there were amenities like wind-up windows and wood dash panels, but still a bit of cowl shake from chassis flex.
This visitor seemed to approve of those Healeys as much as the photographer did...
Yeah, we know the focus here is on British stuff, not Porsches.  But the Golden Retriever came out of the Scottish Highlands over a century and a half ago, so those Porsches are just background scenery...
This '67 MGB-GT shows off Pininfarina's redesign of the original roadster introduced in late '62 as a sort of sports wagon hatchback coupe.  This one has received a Ford Zetec twin-cam engine transplant.
The 2nd-generation Lotus Elise below brings us into the 21st century. Produced from 2002-'10, the 2nd generation featured a fiberglass body over a bonded-aluminum chassis like the early Elise, but in the US version, substituted a 1.8 liter Toyota  twin-cam four for the original Rover K-Series.  The Elise was the first Lotus designed on a computer, but managed to look like fun anyway.
Maybe as much fun as AC's Ace from 1954-'63, built from a prototype by John Tojeiro with a tubular chassis and 4-wheel independent suspension to go with AC's old SOHC 2-liter six and a Bristol six option after 1956.  This car became famous as the chassis and body for the AC Shelby Cobra...
But this example has been owned by the same guy since 1962, the year Shelby built his first Cobra.  For this owner, the car was not an investment, but evidence of some deeper dedication.  We just managed to capture it on the way out, but it's our nominee for best of show.


Photo Credits:
All photos are by the author, except for the shot of the Jaguar E-Type differential and rear suspension assembly, taken at the Revs Institute by Paul Anderson.









Thursday, June 25, 2026

Roadside Attraction: Durango's Smiley Building Finds New Life Through Community Involvement

 

We first heard about the Smiley Building from an artist friend* in Durango, a southwest Colorado town with over 6,500 feet of elevation, under 20,000 people, and a vibrant downtown. The Smiley is a landmark junior high school designed by Colorado Springs architect Charles Thomas and built in 1936 with funding from the Federal Government's Works Progress Administration. 
The school was named for Emory Smiley, a school superintendent very popular with students. Smiley resisted having a school named after him, but he lost that argument. The school served as a junior high for 25 years, converted to a high school 25 years later, and the school district moved its programs to another school sixty years after the school was designed. That meant the historic structure was suddenly quiet and vacant…
But not for long.  Local brothers Charles and John Shaw, along with Charles' wife Lisa Bodwalk, proposed conversion to a community center with a cafe, gallery space and artists' studios, and the school district sold them the building in 1997. The Smiley Studios nonprofit soon got to work with hundreds of  community volunteers on repairing damage on the 45,000 square foot structure, setting up a window restoration shop in the basement after receiving a grant in 1999. The Shaws provided supervision and much of the labor on the windows.   In 2001 another grant funded a historic restoration study by Atkinson-Noland & Associates of Boulder, addressing brick masonry restoration.    
The new owners also focused on making the complex energy efficient and self-sustaining, installing a large array of PV cells on the building and over the parking walkway, and drilling 20 new wells to power ground-source heat pumps that provide winter heating as well as summer cooling.  In 2008, the Smiley Building was awarded the Colorado Governor's Excellence in Renewable Energy Award as a pioneering carbon-free energy project.
Along with the building restoration and energy projects, the exterior received some artistic attention. These murals, in the spirit of WPA-era public art, were produced by artist Brad Goodell and dedicated in 2025...

On a recent afternoon, the Smiley is busy inside.  You can order a coffee and a pastry at the Smiley CafĂ©, check email or just people watch.  Along with artists' studios and apartments, the building houses dance studios, nonprofit offices, a greenhouse and 2 schools...
Along with the ArtRoom Collective, a big artists' work space with individual studios for producing and displaying art ranging in size from jewelry to wall-size paintings.  Note how windows left over from the restoration program are used to define each artist's space...

At a time when green energy projects, and anything involving community infrastructure, are seeing reversals by the Federal Government, it's encouraging to see that a project motivated by those interests has saved a historic building, given it new life, and provided a vital meeting place for the community.
And in an era when corporations (and at least one politician) put their names on buildings they didn't build, it's reassuring that the owners and the team of volunteers who worked so hard rescuing this building have decided to leave Emory Smiley's name on it, as a way of remembering a public servant who never wanted his name on anything...  

*Many thanks to Durango artist and jewelry maker Jennifer Floyd of Cartwheel Studio, who introduced us to the Smiley Building.

Photo Credits:
All photos are by the author.